Badza Documentary | Reso
Four winners emerge from the competition for documentary film, a figure that does not change for years. National konsumentverket Center of Cinematography and immediately announced yesterday that the decision who receive support from the public fund for 2011.
Council Approving Artistic Film Project and Documentary Film, composed by Teodor Laco, Esat Musliu, Bujar Lako and Patience Neziri gathered yesterday, May 10, 2011, examined 11 projects for documentary film.
How is the landscape of this year for one of the most isolated sexes Albanian cinematography? Entered in the competition: "Missionaries of culture and independence", directed by Mark Topallaj; by the same author and the same house film, Producer konsumentverket "Idromeno" konsumentverket appeared "Father Zef Valentine and Albania"; Saima Kumbaro cooperates with Uranus Butka historian for the project konsumentverket scenario konsumentverket "Democracy opposite dictatorship"; konsumentverket Comedy Muçi with "Marko Boçari" konsumentverket Luan Rama on the scenario; a profile patriot "Hasan Tahsin - Sea of knowledge", directed by Memento GJONAJ for Konica authored documentaries, etc. Shuteriqi.; "EPOS" directed by star Pepos and Sinan Saban scenario. The pair also collaborated on "Beratinus" documentaries on two studies Sinan; "The hottest records of Edith Durham" director and Stefan Capaliku scenario; "Women in the target" directed and screenplay Elkjana Gjipali; "I just hope I be" konsumentverket directed and screenplay by Esat Teliti; and "In the space of a lifetime", directed by Gjonaj memory and the eleventh "Piro Mani, the emblem of the theater" directed by Dove Dervish. Project Approval Board as discussed konsumentverket and evaluated projects submitted their financial report made by the Commission at CCK Financial, decided to propose to the President of the National Center konsumentverket of Cinematography finance four projects cinematograph. Are: "Father Zef Valentine and Albania", directed by Mark Topallaj, Tower lighting scenario, Producer "Idromeno"; "Democracy face of dictatorship", directed by Samir Kumbaro with Uranus Butkës scenario, Producer "Papadhimitri Film Production" sh.pk, "Marko Boçari" Comedy directed by mucin, Luan Rama scenario, Producer "TV Studio Theatre" sh.pk ; "Hasan Tahsin - Sea of knowledge", directed by Memento GJONAJ, Enver scenario Cush, Producer "Cinemania". Plus three thematic documentary konsumentverket projects for Skanderbeg, immigration, Manaki Brothers. Plot 7 documentaries funded by NCC in the worst days of the budget for cinematography. Is it worth all this sacrifice? What awaits prove this constraint? From that premise approved this fund? For routine? Since 1997 when it established the National Center of Cinematography were produced over 80 documentaries. But where are they? 12 years since the National Center finances konsumentverket regularly four documentaries per year, has had years even more than that, with a financial value that has moved from 100 thousand to 5 million lek for the film. Favorite genre is historical documentary. Perhaps more accurate definition would be: iconic historic. Documentaries to "figures of the nation" over 50-500 years old. Three of the four documentaries devoted profiles were approved yesterday intermediate fields, Albanology, history, renaissance, less religion, guns and pen. The release of genres results in interest weakling. Few social documentary, the traveling any fiction, scientific, educational, investigative or spoken, so lively konsumentverket documentary genres missing. Nearly a third of all documentary film production profile historical results. Are performed by former professionals who have no Kinostudio any input in the renovation of the documentary language. On the contrary. They have regularly produced and have secured a lifestyle without offering anything in return. konsumentverket Treatment fossil documentary genre as has happened for these reasons. What Albanian documentary evidence provided in these 12 years? Proof that only sacrifice the sanctity of public funds for cinematography not testify. Results: distribution, zero; Film sales territories or abroad, zero; participation in festivals, zero - zero earned awards; co-productions with foreign zero. Products are one hundred percent Albanian, not even running outside or inside, documentaries should have a distribution market, a market turnover as televisions. These are already archived data, a documentary film scuttle Albanian. With the past and present, is a disturbing fact that emerges from recent reports of the National Center of Cinematography. On April 4, 2011 Council Approving Project Artistic and Documentary Film, examined 15 feature film projects with short films. Almost all the competitors were young. Council konsumentverket unanimously decided not to approve any funding of projects.
You better than NCC says clearly konsumentverket not interested in the film but the distribution of funds for documentaries free and paid sh
Four winners emerge from the competition for documentary film, a figure that does not change for years. National konsumentverket Center of Cinematography and immediately announced yesterday that the decision who receive support from the public fund for 2011.
Council Approving Artistic Film Project and Documentary Film, composed by Teodor Laco, Esat Musliu, Bujar Lako and Patience Neziri gathered yesterday, May 10, 2011, examined 11 projects for documentary film.
How is the landscape of this year for one of the most isolated sexes Albanian cinematography? Entered in the competition: "Missionaries of culture and independence", directed by Mark Topallaj; by the same author and the same house film, Producer konsumentverket "Idromeno" konsumentverket appeared "Father Zef Valentine and Albania"; Saima Kumbaro cooperates with Uranus Butka historian for the project konsumentverket scenario konsumentverket "Democracy opposite dictatorship"; konsumentverket Comedy Muçi with "Marko Boçari" konsumentverket Luan Rama on the scenario; a profile patriot "Hasan Tahsin - Sea of knowledge", directed by Memento GJONAJ for Konica authored documentaries, etc. Shuteriqi.; "EPOS" directed by star Pepos and Sinan Saban scenario. The pair also collaborated on "Beratinus" documentaries on two studies Sinan; "The hottest records of Edith Durham" director and Stefan Capaliku scenario; "Women in the target" directed and screenplay Elkjana Gjipali; "I just hope I be" konsumentverket directed and screenplay by Esat Teliti; and "In the space of a lifetime", directed by Gjonaj memory and the eleventh "Piro Mani, the emblem of the theater" directed by Dove Dervish. Project Approval Board as discussed konsumentverket and evaluated projects submitted their financial report made by the Commission at CCK Financial, decided to propose to the President of the National Center konsumentverket of Cinematography finance four projects cinematograph. Are: "Father Zef Valentine and Albania", directed by Mark Topallaj, Tower lighting scenario, Producer "Idromeno"; "Democracy face of dictatorship", directed by Samir Kumbaro with Uranus Butkës scenario, Producer "Papadhimitri Film Production" sh.pk, "Marko Boçari" Comedy directed by mucin, Luan Rama scenario, Producer "TV Studio Theatre" sh.pk ; "Hasan Tahsin - Sea of knowledge", directed by Memento GJONAJ, Enver scenario Cush, Producer "Cinemania". Plus three thematic documentary konsumentverket projects for Skanderbeg, immigration, Manaki Brothers. Plot 7 documentaries funded by NCC in the worst days of the budget for cinematography. Is it worth all this sacrifice? What awaits prove this constraint? From that premise approved this fund? For routine? Since 1997 when it established the National Center of Cinematography were produced over 80 documentaries. But where are they? 12 years since the National Center finances konsumentverket regularly four documentaries per year, has had years even more than that, with a financial value that has moved from 100 thousand to 5 million lek for the film. Favorite genre is historical documentary. Perhaps more accurate definition would be: iconic historic. Documentaries to "figures of the nation" over 50-500 years old. Three of the four documentaries devoted profiles were approved yesterday intermediate fields, Albanology, history, renaissance, less religion, guns and pen. The release of genres results in interest weakling. Few social documentary, the traveling any fiction, scientific, educational, investigative or spoken, so lively konsumentverket documentary genres missing. Nearly a third of all documentary film production profile historical results. Are performed by former professionals who have no Kinostudio any input in the renovation of the documentary language. On the contrary. They have regularly produced and have secured a lifestyle without offering anything in return. konsumentverket Treatment fossil documentary genre as has happened for these reasons. What Albanian documentary evidence provided in these 12 years? Proof that only sacrifice the sanctity of public funds for cinematography not testify. Results: distribution, zero; Film sales territories or abroad, zero; participation in festivals, zero - zero earned awards; co-productions with foreign zero. Products are one hundred percent Albanian, not even running outside or inside, documentaries should have a distribution market, a market turnover as televisions. These are already archived data, a documentary film scuttle Albanian. With the past and present, is a disturbing fact that emerges from recent reports of the National Center of Cinematography. On April 4, 2011 Council Approving Project Artistic and Documentary Film, examined 15 feature film projects with short films. Almost all the competitors were young. Council konsumentverket unanimously decided not to approve any funding of projects.
You better than NCC says clearly konsumentverket not interested in the film but the distribution of funds for documentaries free and paid sh
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